LGCA to unveil catalog for La poetica del verde in Milan

The Lombardy Green Chemistry Association will present the official catalog of Luigi Christopher Veggetti Kanku’s show La poetica del verde on June 22 in Milan. The publication ties the exhibition to Seveso50 and frames Brianza’s landscapes as a story of memory, resilience and environmental regeneration. Why it matters: - The catalog extends a show about Brianza’s green spaces into a broader cultural project tied to environmental memory and sustainability. - The publication links art, territory and the 50th anniversary of the Icmesa-dioxin disaster, turning landscape into a symbol of recovery and awareness. - The event adds a public, documented layer to Seveso50, LGCA’s multidisciplinary initiative on climate, science and civic engagement. What happened: - The Lombardy Green Chemistry Association will present the official catalog of La poetica del verde. Boschi e parchi della Brianza on June 22, 2026, at 6:30 p.m. at The Office, Via Colonnetta 5 in Milan. - The catalog follows the exhibition’s run at Palazzo Arese Borromeo in Cesano Maderno, within the Seveso50 project. - The show and the catalog center on the work of artist-activist Luigi Christopher Veggetti Kanku. - A downloadable press kit is available in the source materials. The details: - The catalog includes images, critical essays, testimonies and reflections on nature, memory, sustainability and environmental regeneration. - The publication is designed as an extension of the exhibition, not just a record of it. - Introductory institutional essays frame Brianza’s woods, parks and natural areas as part of local identity, biodiversity and collective well-being. - The catalog connects the show to Seveso50, LGCA’s project marking the 50th anniversary of the 1976 Icmesa-dioxin incident. - The project treats the exhibition as part of a wider cultural and scientific effort to turn an environmental wound into a moment of growth and awareness. - Emanuele Beluffi, journalist and editorial director of Off, writes about memory in Veggetti Kanku’s artistic research. - Beluffi interprets the works as layered surfaces where landscape appears through traces, sedimentation and change. - Paola Martino, journalist and independent art curator, interviews the artist about his relationship with Brianza and the show’s creative process. - Veggetti Kanku describes sites such as Bosco delle Querce, Parco delle Groane and local waterways as a living archive of memory and a bridge between past and future. - The catalog’s central section presents key works from the exhibition, including Fontana del Guercio, Parco di Villa Dho, Il tocco delle ninfe, Bosco delle Querce, Verso la primavera, Il segreto del bosco, Il sentiero and Sottobosco Groane. - The paintings favor atmospheric impressions, light effects and emotional layering over documentary depiction. - Grays, whites and earthy tones dominate the palette, with sudden color shifts that suggest hidden natural vitality. - The exhibition works use Artlite® Clear Coat, a transparent coating developed by The Blue Planet that uses light to help reduce atmospheric pollutants. - The catalog closes with studies, details and small-format works that trace the evolution of Veggetti Kanku’s practice. - The leaf emerges as the publication’s final symbol of change, rebirth and transformation. - Luigi Christopher Veggetti Kanku was born in Kinshasa in 1979 and lives and works in Brianza. - Veggetti Kanku’s multidisciplinary practice spans painting, sculpture and installation, with themes including identity, collective memory and contemporary multiculturalism. - The artist is represented by AKKA Project in Venice, Ceravento in Pescara and The Art Design Project in Miami. - Seveso50 combines art, science, education and civic participation through exhibitions, workshops and public events. - LGCA describes itself as Lombardy’s regional cluster for green chemistry and bioeconomy. - LGCA promotes collaboration among companies, research centers and institutions, along with scientific outreach and training on sustainability and the circular economy. - The source lists press contacts for LGCA, including press@chimicaverdelombardia.it and Ilaria Re at +39 392 4751449. - LGCA’s social media link appears in the source as LGCA on LinkedIn . Between the lines: - The catalog positions landscape art as a way to interpret environmental trauma without treating the past as closed. - The project blends cultural heritage with sustainability messaging, which broadens the audience beyond the art world. - The use of a pollutant-reducing coating adds a technical, innovation-oriented layer to a show built around ecological recovery. What’s next: - LGCA will host the Milan presentation on June 22. - The catalog is likely to function as a reference point for Seveso50’s next public-facing activities and outreach work. - The broader project will continue using art and education to keep the memory of the 1976 disaster tied to present-day sustainability goals. The bottom line: - LGCA is using a catalog launch to turn a landscape exhibition into a wider story about memory, regeneration and environmental responsibility.